• In this movie, a young woman named Janet Stewart is anticipating the arrival of her husband and attempts to check into a hotel. They are meeting after years apart and have planned to meet at the hotel. During his military service he was presumed dead, but was a prisoner of war. Unfortunately, her cable requesting the reservation never arrived. The staff, after hearing her story, agree to provide a room for the night. Restless, she isn't sleeping. She hears a loud argument and goes to the balcony window where she witnesses a man striking his wife with a candlestick. The woman is killed.The next morning, her husband arrives and attempts to surprise Janet. Instead, he discovers her sitting on the couch, staring into space. She has gone into a state of shock as a result of seeing the murder. The hotel doctor is called, but he suggests she see a specialist...Original release date:January 10, 1946

    Shock is a 1946 American film noir directed by Alfred L. Werker and starring Vincent Price, Lynn Bari and Frank Latimore. Following its release, some film reviewers took particular offense to the film's treatment of psychiatry. Coming in the wake of World War II, in which so many people had suffered shock and could benefit from treatment of their anxieties, Crowther asked the 'critical observer to protest in no uncertain tones' the movie's 'social disservice' in its fostering 'apprehension against the treatment of nervous disorders', deploring the lack of consideration for those in need of treatment evidenced by producer Aubrey Schenck and distributor Twentieth Century-Fox.Directed by Alfred L. WerkerProduced by Aubrey SchenckStory by Albert DeMondCast:Vincent Price as Dr. Richard CrossLynn Bari as Elaine JordanFrank Latimore as Lt. Paul StewartAnabel Shaw as Janet StewartStephen Dunne as Dr. StevensReed Hadley as O'NeillRenee Carson as Mrs. HatfieldRuth Clifford As Mrs. Margaret CrossCharles Trowbridge as Dr. Franklin Harvey

  • The Screaming Skull is a 1958 independently made American black-and-white horror film, produced by John Kneubuhl and directed by Alex Nicol. The film's storyline concerns a neurotic newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. Original release date: August 1958.

    Over a scene of an opening coffin, a narrator explains that the film's climax is so terrifying that it may kill the viewer, while reassuring the audience that should they die of fright they will receive a free burial service. Inside the coffin is a card that reads 'Reserved for You.'[5]

    Newlyweds Jenni (Peggy Webber) and Eric (John Hudson) move into Eric's palatial country home. Jenni is Eric's second wife; his first wife Marion died when she accidentally slipped and hit her head on the edge of a decorative pond on the estate. At the home they meet Eric's friends, the Reverend Snow (Russ Conway) and his wife (Tony Johnson), as well as Mickey (Alex Nicol), the mentally disabled gardener. Eric privately mentions to the Snows that Jenni spent time in an asylum following the sudden death of both her parents, and Mrs. Snow reveals that Jenni is very wealthy.

    Jenni is disturbed both by Mickey's belief that Marion's ghost wanders the estate and by Marion's self-portrait inside the house, which Jenni believes resembles her mother. When she begins to hear unexplained screaming noises and see skulls around her house, she believes that Marion is haunting her. Though Eric speculates to Jenni that Mickey, who was a childhood friend of Marion and thus dislikes Jenni, may be behind the trickery, Jenni worries that she is going insane. Eric suggests to remove Marion's self-portrait from the home. Eric and Jenni take the painting outside and burn it, later uncovering a skull from the ashes. Jenni panics at the sight of the skull, but Eric denies that the skull is there. As Jenni faints, Eric withdraws the skull and hides it, revealing that he has been gaslighting her all along.

    Believing she has finally lost her sanity, Jenni resolves to be committed. She tells Eric that the entire property will be meticulously searched for the skull as a last resort. Mickey secretly steals the skull and brings it to Snow before Eric can retrieve it. That night, Eric prepares to murder Jenni and stage it as a suicide. Jenni sees Marion's ghost in Mickey's greenhouse and flees back to the house, where Eric begins throttling her. The ghost appears and chases Eric outside, corners, and attacks him, drowning him in the decorative pond.

    After Jenni regains consciousness, the Snows arrive. Mrs. Snow comforts a hysterical Jenni and the Reverend discovers Eric's body in the pond. Some undisclosed time later, Jenni and the Snows depart from the house. Reverend Snow declares whether or not Marion's death was an accident will remain a mystery.

    The film ends with Mickey drinking from the pond and saying, 'They've left. Rest in peace.' A vision of a woman's face appears in the pond.

  • While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is currently designated to go to charity in the name of a mysterious 'Kathleen.' The argument, combined with the exertion of rowing the boat, causes John to have a heart attack. He informs Louise that, should he die before his mother, Louise will receive none of the inheritance, after which he promptly dies. Thinking quickly, the scheming Louise dumps his fresh corpse over the boat's side, where it sinks to the bottom of the lake. Her plan is to pretend that he is still alive so that she can ingratiate her way into the will. She types up a letter to her mother-in-law, Lady Haloran, inviting herself to the family's castle in Ireland while her husband is 'away on business.' Original release date: September 25, 1963.

    Dementia 13 (known in the United Kingdom as The Haunted and the Hunted) is a 1963 independently made black-and-white horror-thriller film, written and directed by Francis Ford Coppola and produced by Roger Corman. It was Francis Coppola's feature film directorial debut.The film stars William Campbell, Patrick Magee, and Luana Anders. It was released in the United States by American International Pictures during the fall of 1963 as the bottom half of a double feature with Corman's X: The Man with the X-ray Eyes.


    Although Coppola had been involved in at least two sexploitation films previously, Dementia 13 served as his first mainstream 'legitimate' directorial effort. Corman offered Coppola the chance to direct a low-budget horror film in Ireland using funds left over from Corman's recently completed The Young Racers, on which Coppola had worked as a sound technician. The producer wanted a cheap Psycho copy, complete with gothic atmosphere and brutal killings, and Coppola quickly wrote a screenplay with Corman's requirements. Although he was given total directorial freedom during production, Coppola found himself at odds with Corman after the film was completed. The producer declared it un-releasable and demanded several changes be made. Corman eventually brought in another director, Jack Hill, to film additional sequences.


    The film's title appears on a theater marquee in the Coppola-produced film American Graffiti (1973), even though the film was set in 1962, before the theatrical release of Dementia 13.


    A remake by director Richard LeMay was released on October 6, 2017.



    Francis Coppola



    Roger Corman



    William Campbell as Richard Haloran

    Luana Anders as Louise Haloran

    Patrick Magee as Dr. Justin Caleb

    Bart Patton as Billy Haloran

    Mary Mitchel as Kane

    Eithne Dunne as Lady Haloran

    Peter Read as John Haloran

    Karl Schnazer as Simon, the poacher

    Ron Perry as Arthur

    Derry O'Donovan as Lillian, the maid

    Barbara Dowling as Kathleen Haloran

The Lodger: A Story Of The London Fog (1927)

The Lodger: A Story of the London Fog is a 1927 British silent film directed by Alfred Hitchcock. It is based on a 1913 novel of the same name by Marie Belloc Lowndes. The film tells the story of a mysterious lodger who rents a room in the home of a London family, and is suspected of being the infamous “Avenger” serial killer who is terrorizing the city. The film explores themes of suspicion, guilt, and the nature of evil. It is considered to be one of Hitchcock’s early masterpieces and an important film in the history of British cinema.

Throughout the film, Hitchcock uses a variety of visual techniques such as Expressionist lighting, chiaroscuro, and distorted sets to create a sense of unease and paranoia. The film also features many of the stylistic flourishes that would become hallmarks of Hitchcock’s later work, such as the use of point-of-view shots, tracking shots, and montages.


The story begins with a series of murders being committed in London by a serial killer known as “The Avenger.” The murders are causing widespread panic in the city, and the police are under pressure to catch the killer.

Meanwhile, a young couple, Daisy and Joe Bunting, rent a room in their boarding house to a mysterious lodger, who they suspect may be the Avenger. Despite their suspicions, Daisy becomes increasingly attracted to the lodger and begins to fall in love with him.

As the lodger’s behavior becomes increasingly strange and erratic, Daisy becomes convinced that he is the Avenger. She confides her suspicions to her brother, a police detective, who is also investigating the murders.

The lodger is eventually arrested and put on trial, but Daisy’s testimony is inconclusive, and he is acquitted. However, as the lodger is leaving the courtroom, a woman in the crowd recognizes him as the Avenger, and he is finally caught and brought to justice.

The film ends with Daisy and Joe happily married, and the Avenger is behind bars.


Directed by Alfred Hitchcock
Screenplay by Eliot Stannard
Based on “The Lodger” 1913 novel by Marie Belloc Lowndes
Produced by Michael Balcon, Carlyle Blackwell, and C. M. Woolf
Restored and upscaled by moonflix, LLC (mooonflix.com)


Marie Ault as The Landlady (Mrs. Bunting)
Arthur Chesney as Her Husband (Mr. Bunting)
June Tripp as Daisy Bunting, a Model
Malcolm Keen as Joe Chandler
Ivor Novello as Jonathan Drew (The Lodger)
Eve Gray as Showgirl Victim (uncredited)
Alfred Hitchcock as Extra in newspaper office, man in angry mob (uncredited)
Reginald Gardiner as Dancer at Ball (uncredited)
Alma Reville as Woman Listening to Wireless (uncredited)

Original release date:
February 14, 1927

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Genres: New Arrivals, Movies, Crime & Mystery Films, 1920's, Drama Films, Silent Films, Silent Films, Thriller, Thriller Films, Crime and Mystery, British Classics, Drama Movies, Based on Novels, ALL Movies

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